This poem, re-blogged from whatadriwrites.com/, purported to be written by Assia, expresses succintly the tragic life and death of Assia Gutmann Wevill. Entitled ‘Suicide Sestina’ it begins with a famous couplet by Sylvia Plath, followed by this cry of bitterness and unrequited love from Assia. — Read the poem here: whatadriwrites.com/ ‘Suicide Sistina’ is a cry from the heart by Assia, who hid her considerable talent as poet, translator, and artist from the world that sneered at her, labelling her the Scarlet Woman, the Femme Fatale who broke the sacred union between Ted Hughes and Sylvia Plath. But was their marriage as sacred, blessed, and sublime as popular culture would have it? Few realise that Ted was emotionally and physically faithful to Sylvia for the six years of their marriage, according to Hughes’ own words in his poems and letters. He continued his fidelity to his first wife and the mother of his children long after her death. For the rest of his life, in spite of a second marriage, and numerous affairs, he swore allegiance to Sylvia’s memory. ‘Like the greylag goose’, he told one of his lovers, ‘I mate only once, and for life’. Knowing this, Assia was haunted by Sylvia’s ghost coming between her and Ted for the seven tumultuous years of their relationship. Her suicide, which some describe as a ‘copycat’ of Sylvia’s. was her final rebuke to the man who had lusted after her, loved […]
This is an abridged version of the article by Eilat Negev, which inspired me to write the story of Assia Gutmann Wevill as a work of fiction.
I am excited to announce the forthcoming publication of my work of fiction, ‘Capriccio: a Novel’. To honour the occasion I will be seting up a new website where I will post background information on the real story behind the book. My brand new Website “CAPRICCIOTHE NOVEL” is coming soon! Here you can read articles and see photos of the real story behind “Capriccio: A Novel”, soon to be published by Cilento Press. I took the title of my novel from a series of poems by Ted Hughes, which were written about his relationship with Assia Gutmann Wevill. My book tells the story of their love affair, from the viewpoint of the woman who came between Sylvia Plath and Ted Hughes. Apart from one biography, ‘Lover of Unreason” by Eilat Negev and Yehuda Koren, Assia herself has been written out of history, or else maligned by the brief mentions she gets in many of the reference books about this famous love triangle. My novel aims to redress the balance, and to restore Assia to her proper place in literary history. WATCH THIS SPACE FOR COVER PHOTO, BLURB, AND MORE DETAILS COMNG SOON!
The Joys and Perils of the Writing Life So here I am, as Abraham said to the Lord when offering up his son for sacrifice. “Here I Am” is the title of a wonderful new book by Jonathan Safran Foer, a monumental work close to 1000 pages, exploring themes of cultural identity, fidelity and betrayal, the ephemeral nature of love, families functional and dysfunctional, and what makes them so. As for me myself and I, this post is in the nature of an apology to you, my readers, for my untoward absence. SInce I last posted back in April, life has overtaken me. There’s been illness, convalescence, slow recovery, as well as the joys of grandchildrens’ birthdays. and celebrations of their achievements, some sojourns in beautiful Darwin, home of my daughters and grandsons, and the minutiae of everyday life. On the writing side, I’ve been hard at work on my new novel, ‘A Difficult Daughter’, and preparing my first novel. ‘Capriccio’, for publication. This entailed a major rewrite, mostly in appeasement to Faber and Faber, publishers of the works of Ted Hughes and Sylvia Plath, and the Hughes Estate. Like Jonathan Bate, I fell foul of the Estate when requesting permission to quote thirteen lines of Hughes’s poetry, fully expecting dispensation for such a small amount of material. The lines I quoted were used to introduce chapters, each of which was given the title of one of the ‘Capriccio’ poems […]
This review by Mark Ford of ‘Ted Hughes: the Unauthorised Life’ by Jonathan Bates, gives an interesting slant on Bate’s book, and echoes much of the portrayal of Hughes’s remorse in my novel: ‘Capriccio: the Haunting of Sylvia Plath.‘ In March 1969 Assia gassed both herself and her four-year-old daughter by Hughes, Shura, in her flat in Clapham. She had grown tired of sharing Hughes with his two women down in Devon, Brenda Hedden (a social worker) and Carol Orchard, a local farmer’s daughter and nurse, who would become his second wife. Hughes did, on occasion, explicitly question the implications of his … behaviour in his private journal, noting, for instance, of this particular erotic triangle: ‘3 beautiful women – all in love, and a separate life of joy visible with each, all possessed – but own soul lost.’ The sorrows of the polygamist … As the errant poet struggled to manage his handily alphabetised commitments to A, B and C, as he referred to them in his journal, Assia battled with the complexities of the situation in which she found herself after Plath’s suicide. Although less jealous and possessive than Plath, Assia had her own moments of despair and fury: in a will she made in April 1968 she left to Hughes only ‘my no doubt welcome absence and my bitter contempt.’ Hughes’s ‘The Error’, from the suite of Assia poems collected in Capriccio (1990), presents her subsequent death as almost […]
Assia Wevill, born Assia Esther Gutmann, would have been 89 years old today, had she not taken her own life and that of her daughter Shura in March 1969. She was 41 when she died: 41 years, reflected in the 41 chapters in my novel, ‘Capriccio’, which endeavours to honour her short life. Who was the real Assia? Was […]
Few people know that Assia Gutmann Wevill was an accomplished artist in her own right. She painted brightly coloured miniatures of birds, fish, and flowers, and gave them to friends. She also drew the illustrations for many of Ted Hughes’s works. Sadly these have not survived As well as her talents in the visual arts, Assia was a gifted translator. […]
I’m reprinting this review here in acknowledgement of the role ‘Lover of Unreason’ has played in the writing of my novel, ‘Capriccio’. It has been my bible of facts, the scaffolding on which I’ve created the inner lives in fiction, of Assia, Ted and Sylvia. Eilat Negev herself has written to me that she and Yehuda often wished they’d had […]
Written out of history theguardian.comOctober 18 Assia Wevill in 1968 Within a period of six years, Ted Hughes faced the sudden deaths of four people dear to him. In February 1963 his estranged wife, Sylvia Plath, gassed herself in her kitchen following his affair with another woman, Assia Wevill. He was just 32 when he found himself in sole charge of their children, Frieda, who was three, and Nicholas, barely one year old. Six years later, in March 1969, Wevill killed herself and Shura, their four-year-old daughter. At that time, his mother Edith appeared to be getting on well after an operation on her knee, but Hughes was afraid that the news might affect her recovery. In the following weeks he shunned his parents, and did not visit, phone or write to them. When his father asked Olwyn, Hughes’s sister, what the matter was, she told him but made him vow to keep it a secret. But he could not keep silent and told his wife. Edith suffered a thrombosis, lapsed into a coma and died three days later. Ted was certain that Wevill’s suicide was the final blow. In a letter to his close friend Lucas Myers, Hughes reflected on his part in the deaths of his wife and lover, confessing that with Plath it was his “insane decisions”, while in Wevill’s case it was his “insane indecisions”. When he granted us a rare interview in London in […]
Assia Gutmann Wevill, the subject of my novel, Capriccio: the Haunting of Sylvia Plath What do readers look for from historical or biographical fiction? Is it the ‘truth’ in the form of accurately researched facts, or are they seeking a deeper truth behind those facts? There are facts a-plenty in ‘Capriccio’, the result of ten years’ extensive research of the characters’ lives and works.However, I have dug deeper into the realm of possibilities to create a story which, although largely following known truths, adds drama and colour to the lives of these real people. The question of truth in fiction has been constantly in my mind throughout this novel’s long gestation. I first heard of Assia Wevill in the year 2000, when a newspaper article ‘Haunted by the Ghosts of Love’ came to my notice. It was written by Assia’s biographers, Eilat Negev and Yehuda Koren. Something about Assia’s story resonated with me, and for the next few years I read and researched everything I could about her role in the famous story of Ted Hughes and Sylvia Plath. When Negev and Koren’s biography, ‘Lover of Unreason’, came out in 2006, I was at first devastated to know that others had got there before me, and abandoned all thought of writing my own book about Assia. Then I realised that what I wanted to write was not a ‘straight’ biography, but a re-creation of the lives of Assia, Ted and Sylvia during […]