SHARING WRITING SKILLS

Sharing Writing Skills: a collaborative work by Randwick Writers’ Group, published by Ginninderra Press, March 2020. I am proud to introduce you to our new publication, Sharing Writing Skills. As the title implies, this book is the result of six members of the Randwick Writers Group sharing their thoughts, ideas, feedback and above all, their Writing, from early drafts to the finished product. Read how working with the group has changed each author’s work, polishing and revising draft after draft. Share with us the strategies, methods and skills that have brought our writing to publishable standards. Buy now from the publisher (see below) or as an e-book from most online bookshops. Endorsement by Thomas Keneally: ‘ We are social animals, but our creativity sometimes demands we withdraw into loneliness to write the work that only as individuals we can do. This tension between necessary solitude and our social and communal creative needs is the trigger for a Writers’ Group, like this one, one in which we confront our common problems and share our work so that we can go into the cockpit of writing with greater courage and greater certainty. Book info Title: Sharing Writing Skills ISBN: Paperback 978 1 76041 891 5 Authors: Dina Davis, Garth Alperstein, Susan Beinart, Helene Grover, Anne Skyvington, Geraldine Star                  Editors:                  Dina Davis, Susan Beinart Publisher: Ginninderra Press Publish Date: 03/26/2020 Switch to E-Book

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Writing by the Rules (Or Not)

Is it only our greatest writers who are allowed to break the rules of writing? And what exactly are these rules? Mantras such as ‘Show not Tell’ ‘Point of View’ ‘Omniscient Narrator’ or ‘Close Third Person’ seem to abound in 21st century writing guides. I doubt whether the great Virginia Woolf, George Eliot, Jane Austen, or Ernest Hemingway had ever heard […]

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Ten Tips for a Writers’ Group

These tips from a New York based writer could equally apply to my Randwick Writers’ Group. Reblogged from Lee Kofman at leekofman.com.au Guest post by Tracy Sayre Over the years I’ve learned a lot about what works and doesn’t work in writers’ groups. Here’s a list of my top ten tips. 1.Find the group. Facebook is a great place to start. Post a message that you want to begin a writers’ group and you’ll be amazed by how many of your friends harbor a desire to write. Alternatively, you can contact bookstores, colleges, and libraries to ask if they know of a group you can join. There are also websites like Meetup.com that have information on local writers’ groups. 2.Keep it small. I think the best size for a group is 4 people. If it’s smaller, you won’t get varied feedback, if it’s larger, you spend too much time reading other people’s work. I’ve also found with larger groups people tend to cancel last minute because they don’t feel like their attendance matters that much. 3.Plan ahead. One of the worst things you can do is leave the schedule vague. We all dread that never-ending email chain where everyone’s rescheduling. From the beginning, decide when you’re going to meet, for instance every other Tuesday at 7 pm, and stick to it. youa 4.Set the format. Determine if you want to read the pieces out loud at the meeting, or if everyone […]

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Writing Down the Bones

Natalie Goldberg on the Basics of Writing Practice Many years ago, when I first had the courage to try writing, I came across the wonderful Natalie Goldberg’s book, ‘Writing Down the Bones’. Until then I’d always thought my writing had to be perfect, with impeccable grammar, sentence structure, and so on. But no – according to Natalie, the secret of writing is to just let yourself go, forget rules and regulations, and silence the censor in your head. After having written one novel and started another, I still have trouble turning off the critic. It’s a lifelong habit of those of us whose school compositions were judged on form rather than content. But Natalie gave me these liberating strategies for creative writing, and they may help you too. Here are some edited extracts from ‘Writing Down the Bones’: ‘The aim is to burn through to first thoughts, to the place where energy is unobstructed by social politeness or internal censor, to the place where you are writing what your mind actually sees and feels, not what it thinks it should see or feel. You must be a great warrior when you contact on first thoughts and write from them. Especially at the beginning you may feel great emotions and energy that will sweep you away, but you don’t stop writing. Your internal editor might be saying: “You are a jerk, whoever said you could write, I hate your work, you suck, I’m […]

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The Art of Forgiveness – and Writing

  The words of author Ann Patchett  are both an inspiration, and a warning, to those of us for whom writing is a passion, and who believe it’s a gift, rather than a craft which needs to be practiced to perfection. Here she explains the importance of forgiveness and acceptance in our quest for perfection: I believe, more than anything, that this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can’t write the book I want to write, but I can and will write the book I am capable of writing. Again and again throughout the course of my life I will forgive myself. Patchett pokes at the strange logic by which we exempt writing from the beliefs and standards to which we hold other crafts: Why is it that we understand playing the cello will require work, but we attribute writing to the magic of inspiration? Chances are, any child who stays with an instrument for more than two weeks has some adult making her practice, and any child who sticks with it longer than that does so because she understands that practice makes her play better and that there is a deep, soul-satisfying pleasure in improvement. If a person of any age picked up the cello for the first time and said, “I’ll be playing in Carnegie Hall next month!” you would pity their delusion, […]

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How to Critique Others

  Helen Garner, in ‘Making Stories’ by Kate Grenville and Sue Woolfe, Allen & Unwin, 1993, writes: ‘You’ve got two selves I think. One of them is the deep one that can do the work, and the other one is constantly discouraging you and saying: ‘oh come off it, who do you think you are?’Some days when you feel like this you just have to keep on. Some days I look at what I’m doing and I think: this is pathetic. How can I have thought this was any good? Some days it’s so awful I have to put my pen down and lie on the bed. I feel I’m going to be exposed. Other days you start a paragraph and suddenly out it comes, all these ideas streaming out of you and you can hardly keep up.’ In her accomplished essay on Helen Garner’s ‘Cosmo Cosmolino’, published in the Sydney Review of Books, Tegan Bennett Daylight has this to say about the dangers of too much technical analysis when critiqueing our own and others’ writing: ‘We all grow our own methods from our own practice and our own personalities, but I’d say there’s a general consensus among us, and it’s this: simply, that less is more. Too many instructions, too many fussy little exercises about point of view and tense and conflict and character are likely to break the heart of the real writer, who is writing from an […]

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Report from the Sydney Writers’ Festival

Diabolical Persistence is the key to successful writing, according to editor and writer Craig Munro, who gave a highly entertaining address at the SydneyWriters’ Festival which I was fortunate to attend. Over his long career as an editor for UQP, Craig honed the works of Peter Carey, David Malouf, and other literary luminaries. He’s now written his own book, ‘Under Cover’, […]

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