Assia’s Birthday 15 May 1927

If Assia, named Esther in my novel. ‘Capriccio’, had lived to see this day, she would have reached the grand old age of ninety-three. Instead, in a moment of madness, she took her own life, and that of her daughter with Ted Hughes, at the age of forty-one. A double tragedy, undoubtedly caused by her stormy relationship with Hughes, and […]

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A Poem About Assia

This poem, re-blogged from whatadriwrites.com/, purported to be written by Assia, expresses succintly the tragic life and death of Assia Gutmann Wevill. Entitled ‘Suicide Sestina’ it begins with a famous couplet by Sylvia Plath, followed by this cry of bitterness and unrequited love from Assia. — Read the poem here:   http://www.whatadriwrites.com/?p=9

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The Joys and Perils of the Writing Life

The Joys and Perils of the Writing Life So here I am, as Abraham said to the Lord when offering up his son for sacrifice. “Here I Am” is the title of a wonderful new book by Jonathan Safran Foer, a monumental work close to 1000 pages, exploring themes of cultural identity, fidelity and betrayal, the ephemeral nature of love, families functional and dysfunctional, and what makes them so. As for me myself and I, this post is in the nature of an apology to you, my readers, for my untoward absence. SInce I last posted back in April, life has overtaken me. There’s been illness, convalescence, slow recovery, as well as the joys of grandchildrens’ birthdays. and celebrations of their achievements, some sojourns in beautiful Darwin, home of my daughters and grandsons, and the minutiae of everyday life. On the writing side, I’ve been hard  at work on my new novel, ‘A Difficult Daughter’, and preparing my first novel. ‘Capriccio’, for publication. This entailed a major rewrite, mostly in appeasement to Faber and Faber, publishers of the works of Ted Hughes and Sylvia Plath, and the Hughes Estate. Like Jonathan Bate, I fell foul of the Estate when requesting permission to quote thirteen lines of Hughes’s poetry, fully expecting dispensation for such a small amount of material. The lines I quoted were used to introduce chapters, each of which was given the title of one of the ‘Capriccio’ poems […]

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The torment of Ted Hughes

This review by Mark Ford of ‘Ted Hughes: the Unauthorised Life’ by Jonathan Bates, gives an interesting slant on Bate’s book, and echoes much of the portrayal of Hughes’s remorse in my novel: ‘Capriccio: the Haunting of Sylvia Plath.‘  In March 1969 Assia gassed both herself and her four-year-old daughter by Hughes, Shura, in her flat in Clapham. She had grown tired of sharing Hughes with his two women down in Devon, Brenda Hedden (a social worker) and Carol Orchard, a local farmer’s daughter and nurse, who would become his second wife. Hughes did, on occasion, explicitly question the implications of his … behaviour in his private journal, noting, for instance, of this particular erotic triangle: ‘3 beautiful women – all in love, and a separate life of joy visible with each, all possessed – but own soul lost.’ The sorrows of the polygamist … As the errant poet struggled to manage his handily alphabetised commitments to A, B and C, as he referred to them in his journal, Assia battled with the complexities of the situation in which she found herself after Plath’s suicide.   Although less jealous and possessive than Plath, Assia had her own moments of despair and fury: in a will she made in April 1968 she left to Hughes only ‘my no doubt welcome absence and my bitter contempt.’  Hughes’s ‘The Error’, from the suite of Assia poems collected in Capriccio (1990), presents her subsequent death as almost […]

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Assia the Artist

Few people know that Assia Gutmann Wevill was an accomplished artist in her own right. She painted brightly coloured miniatures of birds, fish, and flowers, and gave them to friends. She also drew the illustrations for many of Ted Hughes’s works. Sadly these have not survived As well as her talents in the visual arts, Assia was a gifted translator. […]

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The Invisible Woman

I’m reprinting this review here in acknowledgement of the role ‘Lover of Unreason’ has played in the writing of my novel, ‘Capriccio’. It has been my bible of facts, the scaffolding on which I’ve created the inner lives in fiction, of Assia, Ted and Sylvia. Eilat Negev herself has written to me that she and Yehuda often wished they’d had […]

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What is Truth in Fiction?

Assia Gutmann Wevill, the subject of my novel, Capriccio: the Haunting of Sylvia Plath What do readers look for from historical or biographical fiction? Is it the ‘truth’ in the form of accurately researched facts, or are they seeking  a deeper truth behind those facts? There are facts a-plenty in ‘Capriccio’, the result of ten years’ extensive research of the characters’ lives and works.However,   I have dug deeper into the realm of possibilities to create a story which, although largely following known truths, adds drama and colour to the lives of these real people. The question of truth in fiction has been constantly in my mind throughout this novel’s long gestation. I first heard of Assia Wevill in the year 2000, when a newspaper article ‘Haunted by the Ghosts of Love’ came to my notice. It was written by Assia’s biographers, Eilat Negev and Yehuda Koren. Something about Assia’s story resonated with me, and for the next few years I read and researched everything I could about her role in the famous story of Ted Hughes and Sylvia Plath. When Negev and Koren’s biography, ‘Lover of Unreason’, came out in 2006, I was at first devastated to know that others had got there before me, and abandoned all thought of writing my own book about Assia. Then I realised that what I wanted to write was not a ‘straight’ biography, but a re-creation of the lives of Assia, Ted and Sylvia during […]

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