The Original Capriccio

In his article on the original Capriccio (Ted Hughes Society Journal Vol 8 Issue 2) Steve Ely discusses both the importance of the engravings by Leonard Baskin, and the relevance of Assia Wevill  to the poetry. I found this article fascinating in Ely’s description of the collaboration between Hughe and Baskin. However I found it unsympathetic to Assia, describing her […]

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Assia’s Birthday 15 May 1927

If Assia, named Esther in my novel. ‘Capriccio’, had lived to see this day, she would have reached the grand old age of ninety-three. Instead, in a moment of madness, she took her own life, and that of her daughter with Ted Hughes, at the age of forty-one. A double tragedy, undoubtedly caused by her stormy relationship with Hughes, and […]

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A Poem About Assia

This poem, re-blogged from whatadriwrites.com/, purported to be written by Assia, expresses succintly the tragic life and death of Assia Gutmann Wevill. Entitled ‘Suicide Sestina’ it begins with a famous couplet by Sylvia Plath, followed by this cry of bitterness and unrequited love from Assia. — Read the poem here:   http://www.whatadriwrites.com/?p=9

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Talking About Capriccio

AUTHOR TALK: Dina Davis with Susannah Fullerton. Review by Susan Beinart On 3 February 2019, Waverley Library Theatrette resounded with the voices of Dina Davis in conversation with Susannah Fullerton, at the Sydney launch of Dina’s début work, Capriccio: A Novel. This novel was inspired by the lives of Assia Wevill, Ted Hughes and Sylvia Plath. This roman à clef covers the love-triangle that played out between these three poets, highlighting, for the first time, Wevill’s role in this fascinating tale. Fullerton, well known at Library events for her deep knowledge of Jane Austen and other historical writers, asked Davis probing questions about Capriccio: A Novel. Davis answered Fullerton’s questions with passion and honesty. The conversation flowed and the audience was riveted. We learned much about Capriccio: A Novel, including that Davis wrote it with commitment, partly because she felt passionate about the single-mother plight of Wevill, who had, apart from a biography, thus far escaped literary interest. No longer. This fine novel will surely provoke more interest in Wevill, who is known as ‘Esther’ in the book. Names of all the protagonists were changed at the request of the Hughes Estate. PAGE 2 Adapted from Friends of the Waverley Library Newsletter, SPRING 2019

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The Joys and Perils of the Writing Life

The Joys and Perils of the Writing Life So here I am, as Abraham said to the Lord when offering up his son for sacrifice. “Here I Am” is the title of a wonderful new book by Jonathan Safran Foer, a monumental work close to 1000 pages, exploring themes of cultural identity, fidelity and betrayal, the ephemeral nature of love, families functional and dysfunctional, and what makes them so. As for me myself and I, this post is in the nature of an apology to you, my readers, for my untoward absence. SInce I last posted back in April, life has overtaken me. There’s been illness, convalescence, slow recovery, as well as the joys of grandchildrens’ birthdays. and celebrations of their achievements, some sojourns in beautiful Darwin, home of my daughters and grandsons, and the minutiae of everyday life. On the writing side, I’ve been hard  at work on my new novel, ‘A Difficult Daughter’, and preparing my first novel. ‘Capriccio’, for publication. This entailed a major rewrite, mostly in appeasement to Faber and Faber, publishers of the works of Ted Hughes and Sylvia Plath, and the Hughes Estate. Like Jonathan Bate, I fell foul of the Estate when requesting permission to quote thirteen lines of Hughes’s poetry, fully expecting dispensation for such a small amount of material. The lines I quoted were used to introduce chapters, each of which was given the title of one of the ‘Capriccio’ poems […]

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Kabbalah and the Seventh Heaven

I’ve had the privilege recently of attending a course on the ancient texts of the Kabbalah, presented by Rabbi Dr. Orna Triguboff. These mystical teachings have long been a fascination of mine, particularly after I discovered, while researching  my novel ‘Capriccio’, about  the poet Ted Hughes, that he drew  inspiration and poetic imagery from the texts of Kabbalah. Our talks with Rabbi […]

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The torment of Ted Hughes

This review by Mark Ford of ‘Ted Hughes: the Unauthorised Life’ by Jonathan Bates, gives an interesting slant on Bate’s book, and echoes much of the portrayal of Hughes’s remorse in my novel: ‘Capriccio: the Haunting of Sylvia Plath.‘  In March 1969 Assia gassed both herself and her four-year-old daughter by Hughes, Shura, in her flat in Clapham. She had grown tired of sharing Hughes with his two women down in Devon, Brenda Hedden (a social worker) and Carol Orchard, a local farmer’s daughter and nurse, who would become his second wife. Hughes did, on occasion, explicitly question the implications of his … behaviour in his private journal, noting, for instance, of this particular erotic triangle: ‘3 beautiful women – all in love, and a separate life of joy visible with each, all possessed – but own soul lost.’ The sorrows of the polygamist … As the errant poet struggled to manage his handily alphabetised commitments to A, B and C, as he referred to them in his journal, Assia battled with the complexities of the situation in which she found herself after Plath’s suicide.   Although less jealous and possessive than Plath, Assia had her own moments of despair and fury: in a will she made in April 1968 she left to Hughes only ‘my no doubt welcome absence and my bitter contempt.’  Hughes’s ‘The Error’, from the suite of Assia poems collected in Capriccio (1990), presents her subsequent death as almost […]

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