In Memoriam

Today is the 46th anniversary of the deaths of Assia Gutmann Wevill, and Shura Hughes Wevill. They both died on 23rd March, 1969. Assia was 41 years old, and her daughter Shura was four. After a fraught phone conversation with her lover, Ted Hughes, Assia took pills, turned on the gas, and lay down to die with her daughter, whom […]

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SHIBBOLETH: an excerpt from ‘Capriccio:a novel’

Note: This chapter comes half way through the novel. Assia has returned from a clandestine trip to Spain with her lover, Ted Hughes. She and her husband are on a holiday in Germany, when Assia discovers she’s pregnant. Chapter 13. SHIBBOLETH Germany, October 1962 The countryside in autumn was beautiful; in the forest, russet and gold leaves quivered on the great pine trees, standing tall and straight like sentinels. After picnicking in the shaded woods on dark pumpernickel bread, and cream cheese with paprika, their walk had slowed. It was getting dark, and both of them were weary. Towards nightfall they reached a pretty little township, straight out of Hansel and Gretel. Assia felt at home in this rural village, as if she’d returned to the enchanted life of her early childhood, when she was protected by her mother, adored by her father, and cossetted by her German grandparents. She felt faint, and in spite of her fears, protective of the tiny life that might be growing inside her. Her body craved rest. She imagined sinking into clean white sheets under an eiderdown filled with soft goose feathers. ‘Let’s stay here tonight, darling. I’m worn out, and that little gasthaus we passed just now looks so welcoming. Not nearly as dilapidated as some of the houses here. I remember those little inns, like our bed-and-breakfast cottages in England. Vati and Mutti used to take me and Cissy to little gasthausen […]

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Ted Hughes’ CAPRICCIO’

This precious volume was published in 1990, almost thirty years after Hughes’ began his affair with Assia Wevill. It was illustrated by artist Leonard Baskin, and published by Baskin’s Gehenna Press in a limited edition of fifty. At $4000 each, and filled with richly coloured engravings by Baskin, the beautifully boxed leather volume was a collector’s copy. All twenty poems in ‘Capriccio’ deal with some aspect of his relationship with Assia Wevill. Many of the poems in Capriccio were written in the second person; the ‘you’ was not identified, although there were hints here and there (as in Folktale: He wanted the seven treasures of Asia). Apart from its musical connotation, Hughes’ title Capriccio bears several interpretations, from ‘capricious’, derived from the Latin caper, the goat, to the ancient Latin ‘racapriccio’ meaning ‘horror’. Thus these poems are thematically linked, by the idea of the capriciousness of fate, to the elements of shock or horror, which Hughes often expressed by reference to ancient myths.

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